Around the World in 80 Days
Sep. 1st, 2012 04:33 pmAs I’ve been enjoying the recent steampunk literature, I realized that I’d never read many of what are now considered the Originals. I downloaded this audio version from the library website, and happily listened to it while washing dishes.
Around the World in 80 Days by Jules Verne. Narrated by Frederick Davidson.
For those who are unacquainted with the book, here’s a brief summary: The year is 1872. Phileas Fogg is a reasonably wealthy Englishman, with no known family or real friends. As many Englishmen of the era were wont to do, he spends most of his time at his club, playing whist. His most distinguishing characteristic seems to be his unfailing regularity. He has just fired a manservant for not keeping proper time. His new manservant, Passepartout, who took the job in search of a predictable life, is therefore shocked when Fogg announces that they are going on a trip around the world, as he has bet his club members 20,000 pounds that it is possible to make it around the world in 80 days. Things are pretty quiet for the first weeks, with the only interest being a detective who has followed them from London, convinced that Fogg must be the bank thief currently sought in London. Things pick up once they hit India, however, as Fogg detours to save the life of a beautiful young Indian widow, Aouda, and they must travel by elephant between stretches of railway. Even past India, travel remains challenging. Fogg’s detached attitude towards the whole affair contrasts with Passepartout’s French emotions as the scrapes get closer and closer. Even if Fogg loses his entire fortune – will he despair? And can the beautiful Aouda convince the confirmed bachelor to care about something? Neither outcome is ever seriously in question, but the book is an entertaining romp (while staying very proper, of course.) It’s fully conscious of its own humor and the ridiculousness of trying to live life as a machine, even as it celebrates the modern technology that allows the voyage. Davidson was, I thought, the perfect narrator for this. His accents were spot-on, but turned to eleven, as it were – Phineas Fogg’s English accent extra-crisp, Passepartout extra, um, however it is that you describe French accents. This is an excellent choice for kids and adults wanting to explore a classic.
Around the World in 80 Days by Jules Verne. Narrated by Frederick Davidson. For those who are unacquainted with the book, here’s a brief summary: The year is 1872. Phileas Fogg is a reasonably wealthy Englishman, with no known family or real friends. As many Englishmen of the era were wont to do, he spends most of his time at his club, playing whist. His most distinguishing characteristic seems to be his unfailing regularity. He has just fired a manservant for not keeping proper time. His new manservant, Passepartout, who took the job in search of a predictable life, is therefore shocked when Fogg announces that they are going on a trip around the world, as he has bet his club members 20,000 pounds that it is possible to make it around the world in 80 days. Things are pretty quiet for the first weeks, with the only interest being a detective who has followed them from London, convinced that Fogg must be the bank thief currently sought in London. Things pick up once they hit India, however, as Fogg detours to save the life of a beautiful young Indian widow, Aouda, and they must travel by elephant between stretches of railway. Even past India, travel remains challenging. Fogg’s detached attitude towards the whole affair contrasts with Passepartout’s French emotions as the scrapes get closer and closer. Even if Fogg loses his entire fortune – will he despair? And can the beautiful Aouda convince the confirmed bachelor to care about something? Neither outcome is ever seriously in question, but the book is an entertaining romp (while staying very proper, of course.) It’s fully conscious of its own humor and the ridiculousness of trying to live life as a machine, even as it celebrates the modern technology that allows the voyage. Davidson was, I thought, the perfect narrator for this. His accents were spot-on, but turned to eleven, as it were – Phineas Fogg’s English accent extra-crisp, Passepartout extra, um, however it is that you describe French accents. This is an excellent choice for kids and adults wanting to explore a classic.
The Wind in the Willows by Kenneth Graham. Read by Jim Weiss.
Five Little Peppers and How They Grew by Margaret Sidney. Read by Bernadette Dunne This book, published in 1881, is a Victorian Sweet Family Struggles through Hard Times novel. (Little Women, featuring a family with older children, was published in 1868.) The Peppers are a family of six. Mrs. Pepper, or Mamsie, is a widow struggling to support her five children with her needlework. As hard as she works, it’s only ever enough to put bread in their mouths, never enough to send them to school. Ben, the oldest at twelve, also works outside the home to bring in some extra cash, while Polly, probably eleven, manages the house, doing the cooking, cleaning, and taking care of the three younger children, Davie, Joel and little Phronsie, the baby at three years old. Despite their poverty, the little brown house in which they live is filled with love and laughter. They have little adventures around things like trying to bake a birthday cake for Mamsie, though they can’t afford white flour, getting measles, and trying to celebrate Christmas with gifts. One or the other of the girls getting lost is a recurring theme, resolved by the little girl being found by a rich man of some variety. In the first incident, little Phronsie is kidnapped by an itinerant organ grinder, left behind in the country, and rescued by thirteen-year-old Jasper King and his dog Prince. This develops into a family friendship that leads to first Polly and then the whole Pepper family moving into the King family mansion. I counted this plot device happening three times over the course of the book, and it’s not really a life message I want my children to absorb – just get lost and find a rich stranger who will rescue you and improve your lot in life. I also found the relentless sentimentality of the writing style to be a bit much. Never a child is mentioned to be doing something but the hand doing it is described as being a chubby little hand, even when the owner of the hand is eleven or twelve. I found that the narrator’s style exaggerated this with her reading style, so that it might not be so cloying if someone else were reading it. However, I was still able to enjoy it, even as the plot got increasingly improbable. When LB gets old enough not to want to hold hands in public, he might not enjoy this series so much. For right now, I’ll enjoy both holding hands and his excitement at finding out that we can get sequels from
The Jungle Books by Rudyard Kipling. Book 1 narrated by Flo Gibson. Book 2 narrated by Patrick Tull. It turns out that in a childhood spent reading, somehow I’d only read a couple of stories from the Jungle Book. The only one I remember clearly is Rikki-Tikki-Tavi. Somehow, despite living without a TV and rarely seeing movies as a child, I have a few images from the animated Disney movie stuck in my head, too. The original, as you might guess, is a whole lot less cute and funny than in Disney. Mowgli is still a child raised in the jungle by wolves. There are lots of short stories of his adventures, from his efforts to kill the tiger who was responsible for him coming to the jungle to his being cast out by the wolves, trying to live with humans, and coming back with the jungle to renew the Pack. In between Mowgli stories are others, most also set in India, but some set in the Arctic and other similarly remote places. Each story has an accompanying poem, which these days seems delightfully old-fashioned.
The Knitter’s Almanac by Elizabeth Zimmerman Just in case there is a knitter reading my blog who hasn’t heard of Elizabeth Zimmerman… well, this seems pretty darn unlikely. But just in case. Elizabeth Zimmerman’s books take homey, personality-filled writing applied to quite revolutionary ideas about making knitting just challenging enough but as easy as possible. Of course you can design your own sweater. Of course you’ll enjoy making a shawl, and you’ll naturally come up with some embellishments to make it pretty along the way… that kind of thing. The Knitter’s Almanac features her thoughts and activities for each month of the year, with a selection of projects. Each is talked through in detail in the main body of the chapter, and followed with “pithy” short directions at the end of the chapter. There are some famous patterns in this book, including the Pi shawl and February’s baby sweater. I read the new commemorative edition, which features a lovely introduction by Stephanie Pearl-McPhee and an adult-sized version of the famous baby sweater, February Lady. Never mind that at my current rate of knitting it would take me twelve years rather than twelve months to get through all the projects here – this is a book that every self-respecting knitter should own.
Pippi Longstocking by Astrid Lindgren. Read by Esther Benson. I read Pippi multiple times as a child, of course, but hadn’t reread as an adult. And I tried Pippi on my son a couple of years ago – he would have been three or four – with high hopes that were soon dashed. It just didn’t work for him. Now, however, he is a big six-year-old, with kindergarten behind him and newly chafing at the rules that define childhood. In other words, ready for tales of a girl who defies the rules, who lives by herself and does what she wants. Even when the adults get upset with her, she ends up being loveable and saving the day her own way. I had remembered Pippi as a coherent story, and so was somewhat surprised to find that each chapter is a more or less independent story, with only the three main characters coming through from one story. Pippi rolls out cookies by the hundreds on her kitchen floor and gives Tommy and Annika lavish presents from her treasure stash. She rescues small children from bullies and fires, decides that school is much too restrictive for her, and puts on a better show than the circus. Though my LB is used to listening to books with longer plots, I’d imagine that these shorter stories would be ideal for introducing children to longer books, with continuing characters but shorter plot arcs. It’s a classic book, and Esther Benson reads it in classic style – which made me chuckle, too, as Pippi sounds much more refined than I imagined her being. We’ll be coming back for sequels.