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This one has been on the bestseller list for a while. I resisted reading it. Probably because the ladies were going to be dealing with depressing stuff and because it was a bestseller? So much for knowing my own tastes. Once again, my colleague S. put it on hold for me. And once I opened it, I had a really hard time putting it down.

book coverThe Friday Night Knitting Club by Kate Jacobs Georgia Walker was young, single and pregnant when an older lady suggested that she use her knitting to make a living for herself. Now, her daughter Dakota is 12 and Georgia is the proprietress of a thriving New York City knitting store, Walker and Daughter, which is also staffed by the elderly and widowed Anita. As our story opens, a group of women wanting companionship and help with their knitting coalesces into the Friday Night Knitting Club. Our cast includes Georgia’s old friend from publishing, K.C., who is always starting but never finishing big projects; Lucie, a single and out of work television producer; Georgia’s daughter Dakota, who provides baked goodies; and Darwin, a women’s studies grad student bent on proving that knitters are submitting themselves to the patriarchy. The plot thickens further for Georgia as Dakota’s father James, missing since the pregnancy was discovered, turns up. Her old best friend from high school, now a rich society lady, also comes in to commission a hand-knit ball gown. The story switches between all of the major characters, as they all work through their own struggles and learn to rely on each other. It’s classic strong female friendship stuff, with some Wisdom from the Grandmothers (and a random priest) thrown in. It’s all about the characters and the relationships, and is already being promoted for book clubs. Did I mention that I read during rare knitting opportunities?

Persepolis

Apr. 15th, 2008 07:01 pm
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book coverPersepolis by Marjane Satrapi There are a lot of good comic books out there. And there’s a lot of good “contemporary women’s fiction,” aka book club books out there, with enough heft to carry over an hour or so discussion. This memoir fits nicely into both categories. Satrapi (five years older than me) tells a story of growing up in Iran in the 70s and 80s, moving from one repressive regime to another. The illustrations are very simple black and white, expressive and occasionally stunningly beautiful. The stark contrasts are especially telling as they illustrate the story of a girl learning that life isn’t black and white. Comic fans will probably already have read this. Everyone else should put it on their lists now.

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