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book coverHereville: How Mirka Got Her Sword by Barry Deutsch The line on the cover of this winning graphic novel sums it up nicely: “Yet another troll-fighting 11-year-old Orthodox Jewish girl.” Mirka, the 11-year-old Orthodox Jewish girl, is somewhere towards the bottom middle in age in a large blended family (helpfully for the character count, only those closest in age to Mirka are introduced). She longs to fight dragons and resents her mostly kind if ugly stepmother’s attempts to teach her to knit. It’s sweet family life sprinkled with Yiddish, until Mirka sees a witch in the forest and starts being chased by her talking pig. The art sets just the right tone between serious and funny, and the story is a warm-hearted adventure with a good sense of humor. I fell hard for Mirka, and loved the details of Jewish mythology and Orthodox life. I’ve been toting this one around with me, and everyone I’ve shown it to has been enchanted. I’d say it’s ideal for about third grade up, and I’m really hoping for a sequel where Mirka gets to use her new sword.

Crossposted to http://sapphireone.livejournal.com and http://library-mama.dreamwidth.org .
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book coverThe Unwritten Vol 1: Tommy Taylor and the Bogus Identity by Mike Carey and Peter Gross Metafiction! With action! Tommy Taylor is the star of a Harry Potter-like series, only it’s even more popular. And Tommy Taylor is not grateful that his father made the real Tommy Taylor star of a fictional series, making the fictional character close enough to the real that some die-hard fans believe him to be the boy wizard. But his father disappeared years ago under mysterious circumstances, leaving Tommy penniless. Now, suddenly, evidence turns up that Tommy might not really be his father’s son. A young woman calling herself Lizzie Hexam might have some answers – if Tommy can survive that long. While the excerpts of the Tommy Taylor stories as presented don’t seem like they would actually rival Harry Potter, the fiction within fiction and fiction crossing the borders to the real world is fascinating. It’s an exciting story, filled with references to other great works of literature for the discerning reader. Fans of Jasper Fforde’s Thursday Next books, which have more humor and less reflection on the capricious nature of fame and fan worship, may enjoy this as well.

Foiled

May. 25th, 2010 08:48 pm
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Here I am reviewing Jane Yolen again… but it’s a graphic novel this time, and this is the first I’ve seen her doing it. Plus, it’s about fencing. I recently read another Diana Wynne Jones book, too, The Merlin Conspiracy, which I quite enjoyed, but which is on the library shelf right next to all the other Diana Wynne Jones books I’ve told you about.

book coverFoiled by Jane Yolen. Illustrated by Mike Cavallaro Teen-aged Aliera doesn’t really fit in in high school, but she’s an excellent fencer, working towards nationals. She has a new foil that her mother found cheap second-hand, with a huge fake jewel attached to the hilt. She keeps herself busy with the fencing, and with weekly visits to play role-playing games with her wheel-chair bound cousin – cousin Caroline the queen, Aliera her defender. It’s fencing as metaphor for life, at first. Aliera’s fencing master tells her to guard her heart, and she finds the words echoing through her head as she falls for the same cute new guy that every other girl in school is falling for. Typical high school story so far, and it could work fine as just that. But supernatural elements start creeping in: the ravens flying outside the window at first, and then… cut for spoilers. Cavallaro’s sassy artwork is just right, mostly in grey scale with occasional splashes of color. The cover says he “illustrated”, and I wouldn’t be surprised if an established author’s first try at a graphic novel was text with illustrations that show exactly what the text says. Not so here, as there are clues to the story that only show up in the pictures, as well as clever little in-between pictures of fencing while the main pictures and the dialog are verbal sparring. Although the story ends tidily enough, there’s plenty of room for a sequel. I’m hoping. We’ve got this in teen here; there’s nothing inappropriate for younger children, though they might not appreciate the romance. And, like most of Jane Yolen’s work past the dinosaur books, there’s plenty of appeal for adults as well.

Rex Libris

Apr. 17th, 2010 10:59 am
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book coverRex Libris: I, Librarian by James Turner Some libraries have gone soft, allowing talking, hanging out, even tolerating overdue books. Not at Middleton Public Library, where Rex Libris and Circe are in charge. Middleton may sound average, but it has rare books from all over the universe, and is situated on a convergence of ley lines that allows fictional characters to wander around the library from time to time. Hard-hitting sesquipedalian librarian Rex Libris is on the job, preventing evil samurai from destroying the library and journeying to outer space (assisted by his gun-happy chickadee) to retrieve overdue books from space emperors. I have read more than once that comic books use higher vocabulary than regular fiction, but this uses the highest proportion of erudite words I have ever seen in a non-scholarly text. It’s also highly self-aware, with editor’s notes from a fake editor at the beginning of each issue (several bound together in the book) and the occasional nonsensical intrusion from the editor, which Rex must take a break from the story to protest before the story can continue. The one downside is that the book has such dense and tiny text (was it shrunk down to fit the paperback?) that it took focus and holding the book up close to read. Still, this is good adventuring for book-lovers with a sense of humor.
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book coverDignifying Science: Stories about Women Scientists by Jim Ottaviani et al Oh my goodness – a man writing about women’s history! OK, now that we’re over the shock, let’s move on. Jim Ottaviani is a very nice local comic book writer and librarian who focuses on science titles. This one came out after a similar book featuring male scientists. I recently saw him at a panel discussion where he talked about all the research he does for his books, putting in days and years of reading to find the small true details that will bring the story to life. This book features stories about lesser-known women scientists who nonetheless made great contributions to science and technology. Each short story is both interesting and packs in a lot of information about its subject. Each is illustrated by a different female comic book artist – I recognized Carla Speed McNeil (Finder), Lea Hernandez (Birds of Prey, Killer Princesses), and Linda Medley (Castle Waiting). Featured scientists include Hedy Lamarr, Lise Meitner, Rosalind Franklin, Barbara McClintock and Birute Galdikas, with prologue and epilogue featuring Marie Sklodovska Curie. These are stories of women passionate and enthusiastic about their fields, even as they are often encouraged to go into different fields, their contributions unrecognized while their male colleagues receive Nobel prizes. Copious end-notes include explanations, sources, and recommended books for further reading. This could be enjoyed by middle elementary children up through adults, though it’s shelved in teen at my library.

Zorro

Jan. 27th, 2010 10:12 am
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Long ago, in my grandparents’ basement, among the boxes of old toys and china, I found an ancient paperback pulp novel of Zorro. I took it home with me and read and reread it. So dashing! So handsome! And thus began a life-long love for the original masked avenger.

book coverZorro by Isabel Allende. Read by Blair Brown.
Zorro Vol.1 by Matt Wagner, Isabel Allende, and Francesco Francavilla

I am a little slow in reading Isabel Allende’s book – the hardcover book came out in 2005. I am grateful to my love for discovering that my home library (as opposed to the one where I work) has the book on audio – a format in which I’m much more willing to take on longer works these days.

Rather than telling the stories of his adventures in Alta California, as did the original novel I read, Allende’s version is an origin story, starting with Zorro’s parents. Alejandro de la Vega, Zorro’s father, is a Spanish soldier turned landowner, while his mother, Regina, is a half-Indian half-Spanish woman, formerly the Indian warrior Toipurnia. The young Diego’s milk brother, Bernardo, is from the same tribe as his mother, so despite the class differences from the Spanish point of view, they consider themselves full brothers. Diego and Bernardo study with Diego’s Indian grandmother, the tribe shaman, and eventually travel to Spain, where Diego studies with a legendary sword master. The tale is beautifully told but a little on the verbose and slow-moving side; there is action, but on disc 9, Zorro is still traveling back from Spain. The original story, lends itself well to this Alexandre Dumas-style pacing, and to the racial and sexual equality themes that are there in plenty. Blair Brown does graceful work narrating the audio book, with fluid pronunciation of the many Spanish words. This is a noble and engrossing effort from Allende.

graphic novel coverMore recently, based in large part on the Allende novel, but drawing on other Zorro retellings as well, comes the comic book version. (This is what first attracted my love to the Allende.) Allende’s basic story is there, somewhat simplified, but where Allende tells the story strictly in chronological order, the comic book series intercuts the stories of Diego’s early years with the adventures of the grown Zorro. This, together with the painted artwork, makes the comic feel more exciting than the book. The book is narrated by a character we meet halfway through and are not sure is the narrator until the end, while the graphic novel is clearly narrated by Bernardo from the very beginning. I wouldn’t want to miss either of them – but if you have to pick for yourself, the Allende version will give you a more nuanced, literary version, while the Wagner will go straight for the swashbuckling adventure.
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book coverHikaru No Go by Yumi Hotta. Art by Takeshi Obata And now, for a change of pace, some manga. Hikaru is a fun-loving, not too serious middle school student. One day, he finds an old go board in his grandfather’s attic. It turns out to be haunted by the ghost of an old and really good go player, Sai, who then takes up residence in Hikaru’s consciousness. This is somehow not creepy, and we are also assured that Sai is male even though has long purple hair, earrings, and a delicate face. Anyway, prompted by Sai, Hikaru starts playing Go. He joins his school’s go team and goes to go salons. At first, he lets Sai tell him where to put the stones. Doing this, he attracts the attention of Akira Toya, the best player from the best middle school go team in town. But before Akira can track him down for another game, Hikaru decides that he wants to play for himself. Over the course of the series (17 books out in America so far), Akira and Hikaru, coached by Sai, climb higher and higher into the go world. Even though this has an improbable premise and is centered on a complicated game I don’t even try to understand, the characters are so well done that the story doesn’t feel silly. Hikaru and his friends are genuinely likeable characters, and the honorable rivalry between Hikaru and Akira Toya is compelling. It’s good story-telling, with large numbers of impossibly innocent-looking wide eyes and a few adorable girls in mini-skirted uniforms thrown in for good measure.
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book coverAge of Bronze. Vols 1-3 by Eric Shanower There was this famous war in the Bronze Age in a city named Troy, about which many, many stories have been written over the centuries, including most famously the Iliad, which somehow doesn’t include some of the most famous bits of the legend. Shanower is doing his best to weave these stories into a cohesive whole. Not only did he read a lot of stories, but he did a lot of art and archeological research to make the settings, the clothes, and the people as accurate and realistic as possible. Naturally, this amount of research appeals to the library geek and the historical recreationist in me, but all would be lost if the story didn’t work. Shanower’s beautifully detailed drawings and expressive text bring the ancient characters to life. He’s made the decision not to have the gods appear in the story, though the characters nearly uniformly strongly believe in them and appear to receive messages from them. While a strong break from the Iliad, it’s a choice that makes the story more accessible to modern readers, who may pray for guidance but don’t generally view people as heroes who succeed only because the gods made it happen. It also makes the story deeper and more ambiguous: did Aphrodite really promise Helen to Paris? Or is this just another excuse from a young man who demonstrates overpowering arrogance and belief in his own charm from the very beginning, starting with deciding to win the royal athletic contests to win back his family’s bull and continuing on to kidnapping Helen instead of liberating the aged aunt he was sent to rescue, just because he didn’t care about an old woman. I just read the entry on the Iliad in Beowulf on the Beach by Jack Murnighan; one of the things he mentions is how cinematic Homer’s language is. This work feels cinematic as well, as the view zooms from close-ups to wide panoramas. Though in line with the Iliad, the war itself is just getting started at the end of volume three, there’s plenty of violence, sex and mayhem to keep things going in the meantime. This is a book that manages to be beautiful, macho and compelling all at the same time.
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book coverThe Passion of the Hausfrau by Nicole Chaison Chaison’s memoir of motherhood hits both the humor and the hurt of motherhood, told in text with comic-style illustrations in the margins. She talks about giving birth – once in a hospital utility closet and once in a feeding trough; about grocery shopping and Halloween costumes with children; about trying to maintain her relationship with her husband. But she also traces her journey to self-actualization, aligning her journey with those of the male and presumably childless heroes in the classics that fill her bookshelves. It’s this angle, I think, that got her a cover blurb from Alison Bechdel, whose Fun Home, while less funny, also journeyed through the classics. Chaison’s version of motherhood requires large amounts of humor seasoned with profanity; for those of similar bent, this is well worth reading.

French Milk

Jul. 8th, 2009 12:25 pm
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I went to a lovely convention, Kids Read Comics, a few weeks ago. I learned lots about graphic novels (mostly for kids, but still) and met several lovely librarians. At least one of whom I referred to this blog, and in the process discovered that “graphic novels” is a pretty teeny tag in my cloud, and I hadn’t reviewed any gns recently. Pretty pitiful given the amount of time I spend picking out what to buy for my collection. So I thought it was time for me to actually read a few more.

book coverFrench Milk by Lucy Knisley This memoir in graphic form has been getting some good press. Knisley and her mother, both celebrating birthdays – 22 for Knisley and obviously older for her mother – decide to spend a month together in Paris. While there, they look at lots of art, do a fair amount of shopping, and eat lots and lots of good food. Some reviewers commented on the nuanced portrait of the mother-daughter relationship; I didn’t really notice this much. There was good commentary on the art, which I should have expected from someone enough into art to be drawing a memoir. Somehow I was surprised anyway. I was less surprised by the loving commentary on the food, given that the book is named for her love of the milk in France – many, many meals and snacks drawn out, with written descriptions. I put this in adult again because I wasn’t sure how many teens it would appeal to; the most graphic it gets in terms of actual sex or violence is a mention of missing her boyfriend with a drawing of a wrapped condom. There is also some humorous nudity in the art references, as Knisley talks about how tired she is of the female nude as a traditional art topic, showing a couple pages in a row full of sketches from museums. This is worth looking at for the lover of France or food.

Aya

Jun. 24th, 2009 11:56 am
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book coverAya by Marguerite Abouet & Clement Oubrerie It’s 1978 in the Ivory Coast, a good and prosperous time. Teenage Aya is growing up with her two best friends, Adjoua and Bintou. Aya studies hard and wants to be a doctor, while Adjoua and Bintou are more interested in going out dancing and meeting boys. Aya’s father agrees more with Adjoua and Bintou that marriage is the best ambition for a girl, as he tries to arrange a marriage for Aya with his wealthy boss’s skirt-chasing son. She’s not interested, but both Adjoua and Bintou, who’ve met him out dancing, are. It’s a slice of life from an Africa that, rare for Westerners to see, isn’t desperate, though the differences in culture and setting are especially apparent in the graphic novel format. The story (not too uncommonly for graphic novels, seemingly collected for size rather than neat plot arcs from comic books) ends rather abruptly, but there is a sequel. I bought it for the adult collection mostly because it’s a little more thoughtful than our teens tend to go for; still, there is nothing inappropriate for teens here, and plenty for them to relate to. The straightforward panel layouts and narration make this an easy starting point for those less familiar with comics, as well.
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book coverGunnerkrigg Court: Orientation by Tom Siddell And now for something fun. Gunnerkrigg Court is the first print volume of a popular web comic, set in a spooky British boarding school/industrial complex. Our heroine is young Antimony Carver, just starting at Gunnerkrigg Court following her mother’s death. In the first short story, Antimony finds that she has a second shadow, which turns out to need help getting to the dark and forbidden Gillitie Woods, across a brightly lighted bridge. In typical Harry Potter fashion, finding little help from adults, Antimony finds her own solution – scrounging enough spare parts to build a robot to help the little stray shadow. As the stories progress, Antimony is befriended by a girl named Kat, whose parents (now teachers at the school), Antimony’s mother and now-missing father, as well as a few others, were part of a tight group of friends. Again as in that Potter book, there’s a hint that they were involved in something bigger than innocent school friendships, but the mystery isn’t fleshed out much in this first book. Though the mother’s death and the mystery, as well as the literally dark setting, give the whole book a dark feel, it’s dark and snarky humor. In one of the early stories, for example, Antimony’s favorite stuffed animal is possessed by an untrustworthy but not altogether malignant demon who finds himself forced to obey her commands. Read it on line if you prefer, but please do read it. Assuming, of course, you like magic and technology fused with dark humor.
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book coverThe Good Neighbors. Volume 1: Kin by Holly Black. Illustrated by Ted Naifeh Rue Silver is sixteen years old. She has a boyfriend and a group of friends who like to break into abandoned buildings and take photographs. Her mother has been quietly missing for three weeks and her father is suddenly involved in a murder case. And she’s starting to see things that she can’t tell anyone about, because they’ll think she’s crazy. They are the faeries of the old tales, the ones called Kindly and Good in hopes of preventing unwanted attentions. Rue learns that her vanished mother was a faery herself. A battle is beginning, and Rue must decide whose side she is on, and how much she can tell her friends. This is the first volume of what’s obviously planned as a much longer series. It’s a very solid start. The story strikes just the right balance between realistic and spooky, and the shaded paintings bring this out perfectly. I got a strong Buffy vibe off of it, not in a copy-cat kind of way, but in the circle of high school friends with a snarky sense of humor and a smart, tough girl going it with some help, but mostly alone. Black is the author of The Spiderwick Chronicles, which I read only the first one or two of. This does feel like it’s coming from the same imagination, but more from real older legend, and definitely more sophisticated and for an older audience. I’m really looking forward to the next one.
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book coverThe Arrival by Shaun Tan A man leaves his wife and daughter, traveling along streets shadowed with the wings and tails of giant monsters. He sails across the sea in a huge boat, arriving in a strange land to try to find work and save enough to bring his family over. The setting is mostly early twentieth century but with strong elements of the bizarre. The drawing style looks like a series of old sepia photographs. It’s told entirely without words – even the signs on the buildings are in a script that neither we nor our immigrant understands. This was all over the comics blogs Best of 2007 lists (it took me a while to get to it.) Somebody in one of the blogs I read then – I wish I could remember who – pointed out the nifty way Tan notes the passage of time. On one page, all we see is one little square after another of clouds, as we watch out the window of the steamer with the immigrant. I loved reading books about immigrants as a child, but there’s a level of being in the experience that this has that a book where I can understand the language just can’t.
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The graphic novels I ordered in September finally came in. Here they are:

CrecyAGENCY
AGENTS OF ATLAS PREMIERE
BAREFOOT GEN 4 VOL
Beowulf by Neil Gaiman
BLACK HOLE COLLECTED
Crécy
CROSSING MIDNIGHT
CURSES HC
DER STRUWWELMAAKIES
kabukiELKS RUN COLLECTED ED VOL 1
ENO AND PLUM TP
Fables: March of the Wooden Soldiers (4)
Fables: The Mean Season (5)
FAIR WEATHER SC
FELL VOL TP
FILTH TP
GANGES VOL
GHOST IN THE SHELL VOL 2 (How did I miss Vol 1? I don’t know.)
He Done Her Wrong
Incognegro
KABUKI 5 vols
killer princessesKiller Princesses
Lady Snowblood 4 vol
MCSWEENEYS QUARTERLY CONCERN
MOME 7 vol
PECULIA
QUITTER
RED STAR 3 VOLs
REMAINS
SCANNER DARKLY

Palestine

Oct. 18th, 2008 02:10 pm
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book coverPalestine by Joe Sacco Journalist Joe Sacco visited Palestine for a couple of months during the first Intifada, the early 1990s, and reported in graphic form. Very graphic. There are the muddy streets and tiny houses of the camps, the torture, even an honor killing. Also, a whole lot of sitting in rooms full of men, drinking tea and talking. The bumpy, less-beautiful than reality pictures are punctuated with wavy wedges of text describing what he’s seeing, gritty days in Palestine alternating with sparkly, modern nights in Jerusalem. This is not book with a coordinated message or a neat ending. It’s reality, as told to the author by people on both sides. While Israel doesn’t come off looking like the noble saviors of democracy in the Middle East the politicians talk about, the Palestinians are equally racist, and fighting for traditions that are bluntly appalling. If you’re looking for a jumping-off point into modern history of the area, this is a good one. Pair it with Rutu Modan’s Exit Wounds for views from both sides of the road blocks.
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book coverThe Rabbi’s Cat by Joann Sfar The rabbi, his daughter and their cat live in Algeria. In the first story, the cat, previously able to communicate only in the usual way of cats, eats the rabbi’s parrot and is magically able to talk. Now he wants his own bar mitzvah, and argues strongly in his own defense both to the rabbi and the rabbi’s rabbi. Doesn’t being a rabbi’s cat mean he’s Jewish? Doesn’t he know the Torah well from helping the rabbi study? Indeed he does. He offers sarcastic but pithy comments on Judaism and humans in general. The sharpness of his critique is offset by his absolute adoration of the rabbi’s beautiful daughter. The saturated, squiggly drawings are perfect for this story of cats, people, and religion that is both funny and slyly serious. And while the thinky-thoughts are there, the characters and exotic setting are also worth paying attention to. This is one that I’d been meaning to read since it first came out, and I am so glad I finally did.
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"Didn't that Librarymama used to read?" you ask. We first started watching the dvds of this from the library. When there were no more dvds at the library (tragically soon), I turned to the books. I haven’t been sure if I could do an adequate job of describing their appeal. But now that I am turning down three other legitimate already started books to check out more Fruits Basket, I thought I should probably try.

manga coverFruits Basket by Natsuki Takaya This is the most popular series of shojo or girls manga so far. Tohru Honda is a Japanese high school girl. Recently orphaned, she finds herself unofficially adopted by an isolated household of the large and wealthy Sohma clan. While everyone knows of the Sohmas, only a very few know of their curse: every generation, one person will represent each of the 12 animals of the Chinese zodiac, plus the cat, who was tricked out of attending the banquet. When they are hugged by a person of the opposite sex, these cursed people transform into their animal selves for a while. Tohru, despite the many misfortunes that have befallen her, is relentlessly optimistic and always believes the best of everyone. (How does she sound too good to be true and yet remain absolutely appealing? Her struggles to pass class must be part of it.) Now she’s living with the older Shigure, the dog, as well fellow high school students Yuki the rat and Kyo the cat. Naturally this situation gives ample opportunity for suggestive but chaste humorous interludes as people bump into Tohru and transform. But the character drama is what makes this really addictive. The otherwise quiet and polite Yuki and the rude but soft-hearted Kyo are constantly getting into fights – but find themselves spending more time together to spend it with their adored Tohru. Tohru just wants to get to know them better, and meet the other members of the Zodiac. The fan letters published in the book are always asking if Tohru will choose Yuki or Kyo. It’s not going to happen. The beauty is in the attraction, where a slight and otherwise innocent gesture carries more tension than your average explicit scene. Somewhere in the volumes I haven’t read yet – I think it’s up to 20 or so now – they might try to break the curse. For right now, it’s mostly personal drama, with the occasional drops of information about the curse slowly accumulating in the background. I could say more, but I have two more books to read tonight.
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book coverStrangers in Paradise by Terry Moore Love, friendship and the mob mix in surprising and fascinating ways in this classic graphic novel. Katchoo and Francine are roommates. Francine is broken-hearted when her boyfriend leaves her after she refuses to sleep with him. Katchoo exacts a fearsome revenge on him, but refuses to tell Francine she’s in love with her. Meanwhile, Katchoo meets a persistent young man, David, at an art gallery. Even though she refuses the romantic relationship he wants, they develop a strong friendship. One might even go so far as to call it a love triangle. And then it turns out that Katchoo has old connections with the mob, and the mob is no longer willing to let them stay in the past. (I have to give a shout-out to my old library school friend Erica of Librarian Avengers, as I just realized after reading this book that her fabulous “Look it up” image comes from this book. Small revelations… moving right along here…) With realistic yet expressive illustrations and a new twist with every turn of the page, this is one to get lost in.
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book coverFables: 1001 Nights of Snowfall by Bill Willingham. Illustrated by Charles Vess et al This is the just-published prequel to the long-standing Fables series. In the Fables world, the Adversary has been taking over all the fantasy worlds one by one. The characters have been fleeing to our New York City, where they have established an underground community led by Snow White and King Cole. In this book, Snow White is visiting the as-yet-unconquered Arabian Fables world, trying to convince the sultan – yes, that sultan – that he should ally himself with the New York Fables community. Naturally, he refuses to meet formally with an unattended woman, so she is sent to him as a concubine. Instead of sleeping with him, she entertains him with tales of escaping Fables to win him over. Each tale is beautifully illustrated by a different comic book artist, with the incomparable Charles Vess providing the illustrations for the frame story. These are most definitely fairy tales for adults, with familiar fairy tale characters in often horrific situations. But the stories are compelling and the illustrations lush, making this a beautiful introduction to the world of Fables while standing firmly on – or between - its own covers.

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