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book coverWhere the Mountain Meets the Moon by Grace Lin. Read by Janet Song
Once upon a time in China, there was a village on Fruitless Mountain where everything was brown with dust and nothing grew. In that village, the only thing with color is Minli, a girl whose hair is glossy black and whose cheeks are pink. Although she works just as hard in the rice fields as anyone else, her joy is listening to the tales of magic that her Da tells her every evening, even though her mother is convinced that they are a waste of time. One day, a goldfish seller comes into town. This sets off a chain of events that leads to Minli going on a journey to find the Old Man of the Moon, who has the Book of Fortune, so that Minli can ask him how to bring life to Fruitless Mountain*. On the way, she meets a dragon who wants to ask the Old Man of the Moon why he can’t fly. The main narrative is woven through with other stories, those that Da tells or that Minli hears along the way. At first, they seem to be just another poetic detail in an already lyrical story, but as Minli’s journey goes on, she meets more and more characters from the stories, all of them interconnected in ways that the original stories didn’t hint at. This was a Newbury Honor book, and I’m not sure how I missed it when it first came out last year. Lightening Bolt loved it until I made the mistake of showing him that I’d gotten Dealing with Dragons to listen to next**, but I had to make myself switch to my own book after dropping him off. Though LB might enjoy this more when he's a bit older, I'd recommend this now to readers of Donna Jo Napoli.

*Thus are two basic plots combined – a stranger comes to town and someone goes on a journey.
** Why yes, he is on a dragon kick of late. How did you guess?
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book coverPeter & Max by Bill Willingham This is the first non-graphic novel in Fables, an otherwise graphic novel series. Peter and Max takes a break from the main storyline of the series to delve into the past history of Peter Piper and his brother, Max Piper, with some input from Peter’s wife Bo Piper, nee Peep. Long ago, during the invasion of the Homelands, Peter and Max had a conflict, the exact nature of which is gradually revealed over the course of the novel. Without going into too many details, we will say only that Max turns out to be a Bad Egg who is murderously jealous of his younger brother. A hundred years ago in our world, Max came again to try to find Peter, but was driven out by Frau Totenkinder, the famous Black Forest witch. Now Max is back, and Peter is determined to find him before he brings down the rest of the world. The story cuts back and forth between the modern world and the old Homeland, with plenty of tension in both stories, all of them weaving together various stories and rhymes involving Peters and Pipers. It is by turns, as one expects of Willingham, horrifying, funny, exciting, and sometimes a wee bit romantic. This tale in particular has extra doses of music, magic and mayhem. Those who are fans of the series already will want to read this as well; those who thought the series sounded interesting but were put off by the format will find Peter & Max an easier portal.
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book coverThe Giant and the Beanstalk by Diane Stanley Otto is a gentle giant who, most improperly, chooses a sweet little hen for his pet instead of a fierce dragon. When Jack steals it, Otto chases him down the beanstalk to get his pet back. Jack’s mother is shocked at her son’s behavior, and sends the giant into town to find him. “Just look for Jack,” she says. Poor Otto has a hard time – not only do his looks put people off, but there are an amazing number of Jacks out there, jumping over candlesticks, falling down hills, and so on. This is delightful not only for turning the story around, but also as a puzzle to recognize the nursery rhymes for children, identified in the back, and the recognizably close imitations of medieval art for adults.
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It might be verging on the wrong time of year for this, but I want to remember it for next year. Lucia is mostly remembered in America when it comes time for students to do their reports on Christmas in other countries. But in Sweden, Swedish friends have told me, Lucia is a huge and secular holiday. Lucia may be officially a Christian saint, but in Sweden she simply brings the light, no small thing in the dark of the year in a far north country. In this tradition comes this book.

book coverLucia and the Light by Phyllis Root. Illustrated by Mary Granpre Root (Big Mama Makes the World) and Granpre (illustrator of the Harry Potter series) bring us the story of Lucia. Lucia lives with her mother and baby brother on the side of a mountain in the far north. Long ago, there were tales of trolls up in the mountain, but no one is really sure they believe these any more. It’s an ordinary cold winter, until one day, the sun doesn’t come back. The cow’s milk dries up, the baby won’t stop crying, and they are running out of food. Lucia decides to climb to the top of the mountain to see if she can find the sun. Together with her milk-white cat, Lucia battles cold, dark, and yes, trolls, to bring back the sun. It’s a fine new story for Lucia with luminous pictures, perfect for the dark of winter.

Ash

Feb. 3rd, 2010 11:52 am
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book coverAsh by Malinda Lo It’s fairy tale time! Here is Cinderella re-envisioned both more modern and more magical. It’s set on the edge of Woods, and there are rumors of Faeries in the wood. The modern Philosophers discourage belief in them, but the old Greenwitches still do. Our heroine Aisling’s mother was once apprentice to the local Greenwitch, but Aisling’s education in magic is limited to the fairy tales her mother tells her. (A note for those not familiar with Gaelic: Aisling is pronounced ASH-ling, so that Ash is a natural nickname.) Then her mother dies, and Aisling is grief-stricken. She takes to spending all her time on her mother’s grave, much to the concern of her father and the local Greenwitch. They’re afraid she’ll attract the Fairies, but she is too young and too absorbed in her grief to care. He remarries, probably hoping that new sisters and a new mother will help. And then he dies, debt-ridden, and the new stepmother, never overly kind, takes out her disappointment and anger on Ash. They move closer to the capital, hoping for a rich husband for the oldest stepsister, and Ash is forced to take the place of the household servants to repay her father’s debt. But all this time, Ash has been sneaking to the Woods whenever she can, occasionally meeting with a handsome but eerie Fairy lord. In spite of the new Philosophers, the Hunt, led by the King’s Huntress, is an ancient tradition still kept, and the town where Ash now lives is the starting point for the Hunt. Gradually, during her occasional escapes into the forest, Ash comes to know the young Huntress, Kaisa, who teaches her to track and ride. Increasingly, Ash is pulled between the inhuman and powerful attraction to her fairy lord and the complete escape from the human world that he promises and her attraction to the Huntress.

Besides being beautifully told, the story has some unique points to recommend it. First, many fairy tales don’t have any fairies in them, but this retelling turns the bland and benign fairy godmother of the original back into the chancy Good Folk that have always felt more real to me. They are neither good nor safe, and yet they are the closest thing to an ally that Ash has. There’s magic, and adolescence, for you. Secondly, I confess that I didn’t notice much until a bi friend pointed it out to me, but fairy tales’ assumption that finding the right person of the opposite gender will lead to happily ever after is problematic. This is the first fairy tale to my recollection that isn’t blindly hetero. Ash has to choose between her fairy and her human love – clearly between a natural and an unnatural attraction, but it is the pull to the male fairy that’s depicted as unnatural. That Lo was able to make this work without feeling out of a place is an accomplishment for which I applaud her. This might just be one of my favorite fairy tale retellings of all time.
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book coverThe Sisters Grimm: Fairy Tale Detectives by Michael Buckley This is the first book of a delightful fantasy mystery series for elementary-age kids. Everyone has heard of the Brothers Grimm, but what if the stories they wrote down were real? Sabrina and Daphne Grimm didn’t think so, until their parents disappeared, the only clue a red handprint painted on the dashboard of their car. Two years later, they’ve been shuttled from one bad foster home to another, when someone claiming to be their grandmother comes to take them home to Ferrytown. Daphne trusts Granny Relda immediately, even when she starts telling them things that can’t possibly be real. The older Sabrina is more skeptical – even when a first attempt at running away has them surrounded by stinging pixies. But the next day, Granny Relda brings them along as she investigates a crushed house, crushed into what looks remarkably like a giant footprint. Many of the old fairy tale characters came to America when life got too uncomfortable in Europe, she tells them. They’ve mostly settled in Ferryport, where a spell the Grimms arranged for keeps the Everafters safely inside and unwanted people out. It’s not an entirely popular solution, and the modern-day Grimms face a good deal of resistance as they investigate the crime and try to keep the peace. The premise is remarkably similar to the excellent graphic novel series, Fables by Bill Willingham, though appropriately lighter for a younger audience. Still, we find, for example, Prince Charming mayor of Ferryport, and not entirely popular among the many princesses he’s wed and left. Strong characters, an engaging setting, and a fast-moving plot make this a great choice for young readers, or even their parents looking for a light read.

Selkie Girl

May. 8th, 2009 01:23 pm
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book coverSelkie Girl by Laurie Brooks Elin Jean lives on the Orkney Islands. She doesn’t know why she has webbing in between her fingers, only that the bullying that disfigurement causes has kept her from having any social life outside her croft. Though she adores her mother and grandfather, the only person in the village she thinks she might be able to be friends with is Tam, a gypsy boy even lower in society than she is. She does not know why her father gets so upset at the amount of time she spends in or near the ocean, or why she is the only person in the villager so upset by the annual baby seal cull. When she is sixteen, she finally learns that her mother is a selkie, kept with her father and aging prematurely because of her own seal skin, hidden by Elin Jean’s father. Now Elin Jean has a choice of living with selkies or humans herself, ultimately finding herself on a quest to find the deep answer to her own question. The story isn’t clearly set in any time, though the place is vivid and the characters, especially Elin Jean, ring true. The lyrical language speaks of the enduring power of music, dance and story. This is a beautiful and timeless take on the ancient stories of the selkies, as well as a solid coming-of-age tale.
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Unhappy mythic pregnancy number 3 – though the focus is only on pregnancy if you happen to be pregnant yourself, I expect. And at least the pregnancy itself is happily come by in this one.

book coverA Curse Dark as Gold by Elizabeth C. Bunce A couple of years ago, I talked about the problems with the story of Rumplestiltskin. Among these problems are why a magical being who can spin straw into gold would want a poor girl’s probably cheap necklace and ring. What would he do with a baby? Why does the girl treat so badly the only person in the story who helps her? And why on earth in a story about the importance of names does the protagonist not have one? This beautifully dark and ghosty novel-length treatment is yet a different spin on making the story make sense.

In a world on the edge of the Industrial Revolution, Charlotte Miller tries to keep her family’s small water-powered mill going in the face of brutal competition, a crushing mortgage, and what seems to be a curse on the mill and the Millers who run it. Though her Uncle Wheeler, newly arrived from town, is trying to convince Charlotte and her younger sister Rosie that running a mill is a highly improper occupation for young ladies, Miller boys never live to adulthood. The mill is the only employer in the village, and Charlotte is willing to do anything to keep it going. The banker’s representative, Randall, turns out to be a handsome and encouraging young man. When Rosie works a spell to summon aid, the skeptical Charlotte is nonetheless willing to give the little man who appears, calling himself Jack Spinner, the only memento of her mother for enough gold thread to meet the season’s mortgage payment. But of course that doesn’t solve all the problems. It is only as Charlotte is married and pregnant with her first child that she begins to delve deeper into the crooked history of the mill, trying to find out just why it is that all the little Miller boys die and how Jack Spinner is connected. It’s a quest that will pit her loyalty to the mill against everything else she loves, and time is running out.
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This is the first of three books I've recently read featuring women pregnant under unhappy circumstances or whose babies are threatened or both... probably not the best of choices for reading while pregnant, and I'm really not sure how it happened. Must find books with happier pregnancies next...

book coverTender Morsels by Margo Lanagan Here is a haunting retelling of the Grimm’s story of Snow White and Rose Red. It starts off in an extremely dark place as Liga Longfield, with a baby by her father and pregnant from a gang rape, is on the brink of suicide. She is granted her own personal paradise, where she can raise her daughters in peace and freedom. The older daughter, Branza, is blond and peaceful, while Urdda is dark and fiery. As the girls grow, they and Liga discover gaps in the barrier, as an unfriendly dwarf and then two bears who act like men – one friendly and one with clearer sexual intentions - come into the world and leave again. Urdda begins to chafe at the confines of the paradise as she grows older, and finds her own way out. Eventually, the alternate world breaks down entirely and Liga and Branza, too, are forced into dealing with the harshness of the real world. There’s a lot of thought here on the dark side of sexuality, as well as looking at what is too much pain and how healing can occur. It’s told in language that feels antique and rural, pulling the reader deeper into the tale. Tender Morsels was an honor book for the ALA's award for teens, the Printz. One could also look at Patricia Wrede’s Snow White and Rose Red for an entirely different (and lighter) take on the tale.

Swan Sister

Jan. 6th, 2009 06:09 pm
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book coverSwan Sister edited by Ellen Datlow and Terri WindlingDatlow and Windling are the queens of fairy tales retold, often for adults, though I found this shelved not too inappropriately in children’s. Here are mostly-familiar tales retold by authors such as Jane Yolen, Kathe Koje, and Neil Gaiman (though I must admit that his contribution was disappointingly short.) Bluebeard, a story that gave me nightmares as a child, is told from the point of view of a survivor. The Old Man and the Fish is told from the other side of the lake, with very different characters. There’s a beautiful retelling of Cruel Sister, and two very different versions of Little Red Riding Hood. In the title story, one which seemed to intersect [livejournal.com profile] turnberryknkn’s worlds of medicine and magic, a young girl sees her prematurely born sister’s arm as a swan wing. As always, lovers of fairy tales old and new will not be disappointed.
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book coverHershel and the Hanukkah Goblins by Eric Kimmel. Illustrated by Trina Schart Hyman I’m not anywhere close to Jewish, and I know that Hanukkah is a pretty minor Jewish holiday as such things goes. Still, I’ve always loved both the holiday and this cracking good story, which I first read when it was published in Cricket magazine in the early 80s, with small black-and-white illustrations by Trina Schart Hyman. Her full-color, full-size illustrations here are a delight (as well as winning a Caldecott Honor). Though I brought Mr. FP all sorts of holiday books home from the library, my copy of this is the one that he wanted to read every day.

Oh, wait, you wanted to hear about the story? Ok, then. Hershel – the traditional Jewish trickster – is wandering out alone on the first day Hanukkah, hoping to find a warm house and some potato latkes. Imagine his surprise when he comes to the village and find neither candles nor latkes. The rabbi tells him that the village is plagued by goblins. They’ve taken over the synagogue and refuse to let anyone celebrate Hanukkah. The only way to stop them is to trick them into keeping the candles lit for the first seven nights on Hanukkah. On the eighth night, the Goblin King must light them himself. Hershel volunteers, and faces goblins each more comically grotesque than the last until the final, truly scary, King of the Goblins arrives. It’s a little wordy for the very young – I tried and failed to read it to a three-year-old once – but from four or five up, the combination of great storytelling, humor, drama and fabulous pictures are unbeatable.
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book coverThe Return of the Light by Carolyn McVickar Edwards I’m a little late writing this book up, as the winter solstice has now been and gone. However, here is a nice little collection of folk tales from around the world for the winter solstice. Most of them don’t talk about the solstice per se, but about the sun. The introduction talks about historical solstice practices (including some of the saltier ones), but the stories are well suited both for adults and for telling to children of varying ages. Edwards helpfully provides a paragraph about the ethnic group that first told the story for each, so the stories aren’t as out-of-context as they often are in such international collections. It concludes with games and songs for people wishing to have family solstice celebrations. Read how the sun started as the wedding earring of a young Indian bride, how Loki killed Balder, the sun god, and how a young African girl married the sun.
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book coverFables: 1001 Nights of Snowfall by Bill Willingham. Illustrated by Charles Vess et al This is the just-published prequel to the long-standing Fables series. In the Fables world, the Adversary has been taking over all the fantasy worlds one by one. The characters have been fleeing to our New York City, where they have established an underground community led by Snow White and King Cole. In this book, Snow White is visiting the as-yet-unconquered Arabian Fables world, trying to convince the sultan – yes, that sultan – that he should ally himself with the New York Fables community. Naturally, he refuses to meet formally with an unattended woman, so she is sent to him as a concubine. Instead of sleeping with him, she entertains him with tales of escaping Fables to win him over. Each tale is beautifully illustrated by a different comic book artist, with the incomparable Charles Vess providing the illustrations for the frame story. These are most definitely fairy tales for adults, with familiar fairy tale characters in often horrific situations. But the stories are compelling and the illustrations lush, making this a beautiful introduction to the world of Fables while standing firmly on – or between - its own covers.
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book coverPrincess Ben by Catherine Gilbert Murdock I loved Murdock’s first book, Dairy Queen, and when all the reviews of this fairy-tale like book were so positive – well, I had to read it. Princess Benevolence is the niece of the childless king, and lives with her father and mother in a cottage outside the castle. She’s shy and plump and uninterested in courtly life and politics. Then the king and her mother are killed and her father disappears, probably at the hand of the neighboring kingdom of Drachensbett, which has always wanted their land. The unlikable and terribly proper Queen Sophia brings Ben to the castle for some forcible princess training, so that she can be married off to someone who will protect their tiny mountain kingdom. When Ben finds a secret room with a magic book, she dozes through her official lessons and stays up late at night to learn magic and raid the pantry. Only after humiliating herself at a grand ball does she realize how serious the threat to her country is – but will she be in time to save it? Ben is a likeable heroine far out of the usual princess mold, even for the growing genre of feminist princess books. The author said in an interview that Ben uses her own strengths rather than traditional male strengths to win the day, also notable. There’s a lot to think about packed into this book, as well as a fabulously surprising plot and Princess Ben herself.
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book coverThe Apple-Pip Princess by Jane RayIn a kingdom long ago and far away, a king had three daughters. When the Queen died, the land turned brown and barren, and no one had enough to eat. Now, the king has given the princesses a week to show him which should inherit the kingdom. The older two sisters have grand ideas, but Serenity, the youngest, has only a single apple pip from her mother. The importance of the earth, growing things, and consideration for others are beautifully illustrated in Jane Ray’s trademark starry and ethnically indeterminate style.
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Once Upon a Mattress If you like old-fashioned campy musicals and revisionist fairy tales, take a look at this one. Carol Burnett and Tracey Ullman star in this Disney version of the Broadway classic. Burnett (who played Princess Winifred in the original Broadway production) stars as Queen Agravain, the queen of a fairy-tale land who won’t let her 40-something son, Prince Dauntless, get married. What she tells Dauntless is that a real princess would pass her test, which is different every time. But Lady Larken and Sir Harry need Dauntless to get married. No one else is allowed to get married until Dauntless is, and Larken is pregnant. Sir Harry goes on a quest to find a princess who can pass the tests and comes back with Princess Fred (Tracey Ullman) a moat-swimming princess from the swamp. Since the story is based on The Princess and the Pea, we all know how the story will end, but Dauntless and Fred are racking their brains to figure out what the test will be and how to pass it. Burnett wears fabulous sequined outfits with elaborate headdresses that look like an unholy cross between 1450 and Las Vegas, and of course, still commands the screen. Ullman’s Winifred is charming and stubborn, especially as she’s complaining about how Snow White had a seven men (practically a regiment, even if they were short) helping her get to happily ever after, while she’s on her own. There’s enough sexual innuendo here to keep the adults chuckling, between Fred wanting to be "satisfied" and Dauntless asking his literally dumb father to explain the wedding night to him, even as it’s quite sanitized enough for the kids not to notice. All of us enjoyed multiple viewings of this romp of a movie.
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The Elves and the Shoemaker by John Cech. Illustrated by Kirill Chelushkin "A long, long time ago, when shoes were still made by shoemakers and not by machines in factories, a shoemaker and his wife found themselves in very hard times." So begins this new retelling of a classic fairy tale. The shoemaker cuts out his last pair of shoes before going to bed, but when he wakes up in the morning, they are beautifully put together. They sell for enough money to buy double the amount of leather, and thus turn around his fortunes. Finally, he and his wife decide to investigate, and find that a pair of elves in worn-out clothing are responsible. The language is good, but the pictures are what really stand out. They are ink and watercolor illustrations, in a palette of mostly browns and black with the occasional bits of red or orange. Chelushkin plays with the perspective, so that a plane can be a table on top and a house or a hat underneath, while little elves of all shapes crowd the edges of the pictures. They are more eerie than usual for fairy tales, but very fun to find everything going on.
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Did I mention a weakness for fairy tales? This book, in its lovely purple handmade paper binding, was just lying on the shelf begging me to pick it up. So I did.

The Rumpelstiltskin Problem by Vivian VandeVelde Vande Velde is a well-known writer of fantasy and horror for the young, so this is a little out of her usual sphere. The problem with Rumpelstiltskin, she writes in the introduction, is that it just doesn’t make sense. For example, what father would lie to a king about his daughter’s abilities? What king would believe that an obviously poor girl had the ability to spin straw into gold? Why would anybody want to marry someone on a three day acquaintance, on every one of which she’s been threatened with death? In this collection, she sets out to make the familiar story make sense. She puts a different spin on each of half a dozen stories, so that in each one, a different character is to blame, and for different reasons. The language is contemporary, the stories funny, the concept fascinating. Enjoy!

Green

Aug. 10th, 2005 07:10 pm
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The Green Man: Tales from the Mythic Forest ed. Ellen Datlow and Terri Windling. Decorations by Charles Vess. I was both excited and surprised to find this book in the children’s fairy tale section at the library; I am most familiar with these editors for bringing fairy tales back to adults. And while this book seems geared towards a younger audience than some of their other anthologies, featuring mostly teen protagonists, it does have some language and situations that are more appropriate for teens than younger children. Still, assuming that mostly adults are reading here, it is a really wonderful collection. Just including the names of authors I’m familiar with, stories are by Charles DeLint, Neil Gaiman, Kathe Koja, Tanith Lee, Gregory Maguire, Patricia McKillip and Jane Yolen. Stories range from modern settings to more traditional fairy tales,(or traditional fairy tale settings twisted), from gritty to humorous to lyrical. In Delia Sherman’s Grand Central Park, a girl meets the Fairy Queen in Central Park, and discovers that her childhood fantasies weren’t so fantastic. In Tanith Lee’s Among the Leaves so Green, a poor younger sister gets her wish to be rescued from her cruel mother and older sister – and the older sister finds that her punishment is the better deal. Midori Snyder’s Charlie’s Away explores the grieving of a boy about to leave for college for his deceased younger sister. In Emma Bull’s Joshua Tree, an encounter with a Joshua tree forces a high school girl to let go of the girl she thinks she’s supposed to be and find who she really is. Without describing all the stories, I’ll just say that if you’re jonesing for some good solid magic, this will fix you up.
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Another cross-section of (mostly) vacation reading – one for the car, one from a friend, and a couple to read to your favorite child. And, ok, every one involving children or childbirth. I'm working on a different kind of book, promise!

Birthing from Within by Pam England A little older than most of the childbirth books I’ve been reading, but still well worth it. This book is about childbirth, specifically from the mother’s point of view, with some attention to the partner. She’s not so much interested in natural vs. assisted birth, as in the parents getting connected with their feelings and fears about childbirth and impending parenthood. You can’t control what will happen, she seems to say, and your experience will not be the medical event your doctor will tell you about. Prepare for what you can, address your fears – and there’s also a lot on natural pain relief techniques. Birth is an important rite of passage, and learning only about the three stages of labor won’t prepare you for this side of things.

Everything on a Waffle by Polly Horvath Trust Polly Horvath to write a funny and yet touching book about a seemingly depressing subject. Primrose lives in a small fishing village in British Columbia with her parents, until they are lost at sea. Everyone else is convinced that they are dead, but Primrose, narrating, is so convinced that they will come back that the book is saved from being the mournful reflections of a new orphan. Instead, she explores life inside the village as she is passed around from one person to the next. From the old maid she was first left with, to her happy-go-lucky uncle, the stuck-up school counselor and the owner of the town’s one restaurant, the characters are full of vivid and amusing life. I especially enjoyed listening to the young, scrappy-sounding voice of the narrator on the audio version.

Mother Shock: Loving Every (Other) Minute of It by Andrea Buchanan Thanks to [livejournal.com profile] garrity for loaning me this one. So, you’re about to become a mother for the first time, talking to mothers you know, reading books on the subject, hanging out with the children of friends. Are you prepared? No, says Buchanan. Motherland is an entirely different country, and you’re reading guidebooks and talking to natives. The shock of adjusting to new parenthood has stages very similar to culture shock, from euphoria to hatred of the new culture to final adjustment. Buchanan shares her own experiences in a series of essays grouped around each of these stages. More important than the stages, though, is her firm conviction that not every part of being a mother is fun. Acknowledging this often taboo fact does not mean that you don’t love your child or are a bad parent. Life is always complex, and we shouldn’t expect parenting to be different. Though the premise may sound academic, the book isn’t, with Buchanan’s essays sharing the nitty-gritty tears, laughter, and exhaustion of the new mother.

Not One Damsel in Distress: World Folktales for Strong Girls by Jane Yolen, illustrated by Susan Guevara
Fairy Tales by Berlie Doherty, illustrated by Jane Ray
These are two lovely collections of fairy tales that I recently shared with the 5-year-old Wild Woman, and which we both greatly enjoyed. Not One Damsel in Distress, as the title indicates, features only stories with strong heroines – not modern-day fantasies, but real, strong folk heroes who have made it through the centuries. I keep a sharp eye out for collections of this nature, and this is one of the best. It’s a few stories common to collections of this nature (though mostly not so well known otherwise), and many that even I had never seen before – crack to the fairy tale collector. More important to the Wild Woman, Yolen is an amazing storyteller, able to tell a compelling story in a multitude of different styles. The illustrations didn’t do much for me, but WW didn’t seem to mind, and you can’t have everything.

The Doherty collection is mostly fairy tale standards – “Snow White”, “Rapunzel” – with a few less common stories like the Russian tale “The Firebird” thrown in. It’s not the addiction of new stories that Yolen had for me, but these are stories that every child should grow up with. Doherty is an award-winning British author and tells the stories lyrically, attentive to their original sources. However, what really makes this book shine are the illustrations. Every page is illustrated in full color with gold accents, with each tale having its own frame. The characters, while much more simply dressed than typical in fairy tales, look beautiful. They are multiethnic without making a big deal about it – just people of fairly indeterminate race but different skin tones interacting in a magical fairy tale world. If you know a child who needs a basic collection of fairy tales to love, this would be my top pick.

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